Mixing Music | Music Production, Audio Engineering, & Music Business

Mixing Music | Music Production, Audio Engineering, & Music Business

The Mixing Music Podcast is your ultimate guide to music production, audio engineering, mixing, and mastering. Hosted by professional mix engineers Dee Kei (@DeeKeiMixes), Lu Moreno (@MasteredByLu), and James Parrish (@jamesdeanmixes), this podcast covers recording techniques, studio mixing, vocal production, sound design, DAW workflows, plugin reviews, gear recommendations, industry secrets, and the business of music production. Whether you're a music producer, mix engineer, mastering engineer, independent artist, or content creator, you’ll get expert insights to take your sound to the next level.

Our hosts have worked with Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, Rico Nasty, ATEEZ, Kanye West, The Game, and more, collaborating with major record labels like Universal Music Group, Sony Music, Interscope Records, Republic Records, and Capitol Records. Join us for mixing tutorials, mastering strategies, music production tips, home studio setup advice, industry interviews, and pro techniques used in professional recording studios. Whether you're using Pro Tools, Ableton Live, FL Studio, Logic Pro, or Studio One, this podcast is packed with valuable information to improve your mixing workflow and production quality.

In our exclusive episodes, James Parrish and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music. All exclusive episodes focus on the technical aspects of the post-production process.

The Mixing Music Podcast is sponsored by:

Find Dee Kei and Lu on Social Media:

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The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.

Latest Episode

Live Sound Survival Guide: IEM Mixes, Dante, and Virtual Soundcheck (26.08.2025)

Previous Episodes

  • How to AI-Proof Your Music Career | Why I’m Not Afraid of AI (And Neither Should You Be) 19.08.2025
  • Stop the Endless Revisions: Systems That Get Your Mix Approved Faster 12.08.2025
  • The Music Industry Isn’t Evil — You’re Just Bitter: How to Stop Blaming the Industry and Start Winning 05.08.2025
  • Exclusive Archive | Relationship Between Distortion and Compression 31.07.2025
  • When Better Mixes Ruin the Vibe | What We Lose with Cleaner Mixes 29.07.2025
  • Exclusive Archive | Mixing Live vs Sampled Drums 24.07.2025
  • Confidence Over Clarity: How to Talk to Clients 22.07.2025
  • How to Avoid Phase Issues: Mic Techniques That Work 15.07.2025
  • Debunking Mixing Myths: Superstition, Ego, and Bad Advice 08.07.2025
  • How to Mix Hyperpop: Exaggerated Mixing for Maximalist Arrangements 01.07.2025
  • Top Mixing Mindset Mistakes: Perfectionism, Paralysis, and Pressure 24.06.2025
  • Minimalist Mixing: Doing More With Fewer Plugins 17.06.2025
  • The Gear We Regret Buying (and What We'd Buy Instead) 10.06.2025
  • Why Your Mixes Sound Flat | How To Create Depth In Your Mixes 03.06.2025
  • Why HPF and LPF Are Your Mix’s Secret Weapon | All About Using Filters 27.05.2025
  • High Self-Esteem = Better Mixes? 20.05.2025
  • When to Say No: Handling Bad Recordings and Unrealistic Clients 13.05.2025
  • Mix Engineer Confessions: Mistakes We Still Make 06.05.2025
  • Mixing on Headphones with Ollo Audio | Translation, Target Curves, Sustainability 29.04.2025
  • Mid/Side Processing: Secret Sauce or Total Trap? 22.04.2025

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